Guest article by Subodh Agrawal (SoY readers are familiar with Subodh’s elegant writing on songs based on classical ragas. He surpasses himself with this outstanding article on one of the most popular and accessible ragas – Malkauns – which he describes as the greatest of pentatonic ragas. Subodh carries his scholarship lightly with an easy […]
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YearlyArchive
- AK on Kalyanji-Anandji 2.0: Their best songs for ‘other’ male singersAshokji, Thanks for your comments. Kalyanji-Anandji's transformation from 1.0 to 2.0 is unique among all the music directors.
- Ashok M Vaishnav on Kalyanji-Anandji 2.0: Their best songs for ‘other’ male singersOnly when I read this article, and the discussion thereon, I did recall these Rafi songs. If good Kishore numbers...
- AK on Kalyanji-Anandji 2.0: Their best songs for ‘other’ male singersSivanandamji, You did mention Biddu. You ae right. Mohabbat ke suhane din jawani ki haseen raatein is one of the...
- Sivanandam on Kalyanji-Anandji 2.0: Their best songs for ‘other’ male singersAK Ji I remember mentioning about Biddu ( music director of song Aap Jaisa Koi Mere Zindagi-Qurbani) , not being...
- AK on Kalyanji-Anandji 2.0: Their best songs for ‘other’ male singersMr Muli, Bhajan bin chain na aaye Ram: Aziz Nazan's forte was qawwali. This bhajan makes it clear it was...
- Rahul Bhagwanrao Muli on Kalyanji-Anandji 2.0: Their best songs for ‘other’ male singersAK ji A nice collection of KA 2.0 songs for other male singers. Aziz Naza is invariably associated with qawwali...
- AK on Kalyanji-Anandji 2.0: Their best songs for ‘other’ male singersKB @5, Do you remember any Hemant Kumar and Subir song composed by Kalyanji-Anandji 1971 onwards? @6, Mahendra Kapoor figured...
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